Adebayo, Dola. “Drake Can Have His Pound Cake and (Fairly) Use it Too”. The Columbia Journal of Law & the Arts. 2021. https://journals.library.columbia.edu/index.php/lawandarts/announcement/view/373. Accessed 18 June 2021.

​

Alexander, Julia. “YouTubers and Record Labels Are fighting, And Record Labels Keep Winning”, The Verge. 24 May 2019. https://www.theverge.com/2019/5/24/18635904/copyright-youtube-creators-dmca-takedown-fair-use-music-cover. Accessed 18 June 2021.

​

“Best practices for attribution”. Wikipedia. https://wiki.creativecommons.org/wiki/Best_practices_for_attribution. Accessed 18 June 2021.

​

“Biz Markie – Alone Again”. YouTube. Uploaded by P Dauphin, 2 Mar. 2010, https://www.youtube.com/watch?v=OebqNsNRBtU&ab_channel=PDauphin. Accessed 8 June 2021.

​

“Censored by Warner Music Group!”. YouTube. Uploaded by SpectreSoundStudios, 2 Apr 2019. https://www.youtube.com/watch?v=jCK-jm8Nwyc. Accessed 18 June 2021.

​

Collins, Steve. “Digital Fair: Prosumption and the Fair Use Defence.” Journal of Consumer Culture, vol. 10, no. 1, SAGE Publications, 2010, pp. 37–55, https://journals-scholarsportal-info.ezproxy.library.yorku.ca/details/14695405/v10i0001/37_df.xml. Accessed 18 June 2021.

​

Collins, Steve. “YouTube and Limitations of Fair Use in Remix Videos.” Journal of Media Practice, vol. 15, no. 2, Routledge, 2014, pp. 92–106, doi:10.1080/14682753.2014.960764.

​

“Copyright Basics: Crash Course Intellectual Property 2”. YouTube. Uploaded by Crash Course, 30 Apr. 2015. https://www.youtube.com/watch?v=Tamoj84j64I&list=PL8dPuuaLjXtMwV2btpcij8S3YohW9gUGN&index=4&ab_channel=CrashCourse. Accessed 18 June 2021.

​

Creative Commons. “Home page”. Creative Commons. https://creativecommons.org/. Accessed 18 June 2021.

​

Creative Commons. “About CC Licenses”. Creative Commons. https://creativecommons.org/about/cclicenses/. Accessed 18 June 2021.

​

Crum, Joshua. “The Day the Music Died: Bridgeport, Sampling Infringement, and a Proposed Middle Ground.” Brigham Young University Law Review, vol. 2008, no. 3, Brigham Young University Law Review, 2008, p. 943–. https://heinonline.org/HOL/P?h=hein.journals/byulr2008&i=959. Accessed 18 June 2021.

​

Dougherty, Richard J. “John Locke and the Origins of Private Property: Philosophical Explorations of Individualism, Community, and Equality. Matthew H. Kramer.” The Journal of Politics, vol. 61, no. 2, 1999, pp. 567–69, doi:10.2307/2647525.

​

Derecho, Abigail. ‘Illegitimate Media: Race, Gender and Censorship in Digital Remix Culture’. Ph.D. Dissertation, Northwestern University. June 2008. https://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.603.4235&rep=rep1&type=pdf. Accessed 18 June 2021.

​

Digital Millennium Copyright Act. U.S. Copyright Office, n.d. https://www.copyright.gov/dmca/.  Accessed 18 June 2021.

​

Edwards, Dustin W. “Framing Remix Rhetorically: Toward A Typology of Transformative Work.” Computers and Composition, vol. 39, Elsevier Inc, 2016, pp. 41–54, doi:10.1016/j.compcom.2015.11.007.

​

Eyman, Douglas, and Cheryl E. Ball. “Composing for Digital Publication: Rhetoric, Design, Code”. http://ceball.com/wp-content/uploads/2014/06/Eyman-Ball-CompStudies-published.pdf. Accessed 18 June 2021.

​

Eyman, Douglas. “Digital Rhetoric: Theory”, Digital Rhetoric: Theory, Method, Practice. Digital Culture Books. https://quod.lib.umich.edu/d/dh/13030181.0001.001/1:5/–digital-rhetoric-theory-method-practice?g=dculture;rgn=div1;view=fulltext;xc=1. Accessed 18 June 2021.

​

Falstrom, Carl A. “THOU SHALT NOT STEAL: ‘GRAND UPRIGHT MUSIC LTD. V. WARNER BROS. RECORDS, INC.’ AND THE FUTURE OF DIGITAL SOUND SAMPLING IN POPULAR MUSIC.” The Hastings Law Journal, vol. 45, no. 2, Hastings College of the Law, 1994, p. 359–. https://heinonline-org.ezproxy.library.yorku.ca/HOL/Page?handle=hein.journals/hastlj45&id=393&collection=journals&index=journals/hastlj. Accessed 18 June 2021.

​

“Fair Use”. YouTube, uploaded by U.S. Copyright Office, 30 Oct. 2019, https://www.youtube.com/watch?v=IFhF_tHrj4s&t=43s&ab_channel=U.S.CopyrightOfficeU.S.CopyrightOffice

​

“Gilbert O’Sullivan – Alone Again (original version)”. YouTube. Uploaded by valliseasons1, 19 Aug. 2006, https://www.youtube.com/watch?v=D_P-v1BVQn8&ab_channel=valliseasons1. Accessed 18 June 2021.

​

Greene, K. J. "Copyright, Culture & (and) Black Music: A Legacy of Unequal Protection." Hastings Communications and Entertainment Law Journal (Comm/Ent), vol. 21, no. 2, 1998-1999, p. 339-392.

​

HeinOnline. Copyright, Culture & (and) Black Music: A Legacy of Unequal Protection. Accessed 18 June 2021.

​

Greene, K. “Intellectual Property at the Intersection of Race and Gender: Lady Sings the Blues.” The American University Journal of Gender, Social Policy & the Law, vol. 16, no. 3, American University Law Review, 2008, p. 365–85. Intellectual Property at the Intersection of Race and Gender: Lady Sings the Blues. Accessed 18 June 2021.

​

“Jimmy Smith Rap”. YouTube. Uploaded by Jimmy Smith – Topic, 23 Jan. 2017, https://www.youtube.com/watch?v=BCyp9lPR8Fc&ab_channel=JimmySmith-Topic. Accessed 18 June 2021.

​

"Kanye West GIF". GIPHY, 2017, https://media.giphy.com/media/l4FGvZyINwriOXDYk/giphy.gif. Accessed 11 June 2022.

​

LeFevre, Karen Burke. “Chapter 3: Invention as a social act”, Invention as a Social Act. Southern Illinois University Press, 1986.

​

Markin, Gene. “Drake Wins Big With Fair Use”. The National Law Review. 2020.

https://www.natlawreview.com/article/drake-wins-big-fair-use. Accessed 18 June 2021.

​

“Patents, Novelty, and Trolls: Crash Course Intellectual Property #4”. YouTube. Uploaded by Crash Course, 14 May 2015. https://www.youtube.com/watch?v=RrN7IxvAJto&list=PL8dPuuaLjXtMwV2btpcij8S3YohW9gUGN&index=7&ab_channel=CrashCourse. Accessed 18 June 2021.

​

“Pound Cake / Paris Morton Music 2”. YouTube. Uploaded by Drake, 24 July 2018, https://www.youtube.com/watch?v=lUKGzvQj4bI&ab_channel=Drake-Topic. Accessed 18 June 2021.

​

Ridolfo, Jim, and Dànielle Nicole DeVoss. Composing For Recomposition: Rhetorical Velocity and Delivery. Kairos. 2009. https://kairos.technorhetoric.net/13.2/topoi/ridolfo_devoss/intro.html. Accessed 18 June 2021.

​

Ritzer, George, and Nathan Jurgenson. “Production, Consumption, Prosumption: The Nature of Capitalism in the Age of the Digital ‘prosumer.’” Journal of Consumer Culture, vol. 10, no. 1, SAGE Publications, 2010, pp. 13–36, doi:10.1177/1469540509354673.

​

Sadler, Lindsey. “Hip-Hop Artist Drake Fairly Used Anti-Hip Hop Song Sample”. JDSUPRA. 2020. https://www.jdsupra.com/legalnews/hip-hop-artist-drake-fairly-used-anti-97931/. Accessed 18 June 2021.

​

“Trademarks and Avoiding Consumer Confusion: Crash Course Intellectual Property #5”. YouTube. Uploaded by Crash Course, 27 May 2015. https://www.youtube.com/watch?v=3gWaAJR5L18&list=PL8dPuuaLjXtMwV2btpcij8S3YohW9gUGN&index=8&ab_channel=CrashCourse. Accessed 18 June 2021.

​

“What are Creative Commons Licenses?”. YouTube. Uploaded by U of G Library, 21 Sep. 2018, https://www.youtube.com/watch?v=srVPLrmlBJY&t=4s&ab_channel=UofGLibrary. Accessed 18 June 2021.

​

YouTube. “Copyright”. YouTube. https://www.youtube.com/howyoutubeworks/policies/copyright/#overview. Accessed 18 June 2021.

​

YouTube. “How Content ID works”. YouTube Help. https://support.google.com/youtube/answer/2797370?hl=en. Accessed 18 June 2021.

​

YouTube. “Legal Policies”. YouTube. https://support.google.com/youtube/topic/6154211?hl=en-GB. Accessed 18 June 2021.